Films about artists

An earlier version of this article was published in January

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by Mike Leigh, available to rent on Prime Video
Timothy Spall plays an aged, misanthropic William Turner (otherwise known as JMW Turner RA) whose main form of communication in the film is an expressive grunt.

It is a brilliantly ambivalent portrait of the 19th-century English landscape painter, whose technical innovations, though increasingly mocked by the public, are depicted as an obvious progression in his fascination with light (“The Sun is God!” were supposedly Turner’s last words).

The artist also offers a springboard for director Mike Leigh’s minutely detailed and impish depiction of early Victorian society; the snooty, insular hanging committee of the Royal Academy’s Summer Exhibition is reason enough to watch this biopic.

Find out who's who in the film Mr Turner.

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by Aisling Walsh, available to rent on Prime Video
In Aisling Walsh’s biopic, the story of painter Maud Lewis becomes a story of irrepressible creativity.

Good movies on netflix instant: The Price of Everything The Price of Everything pulls back the curtain on the contemporary art market, revealing how creativity and commerce are deeply intertwined. But he could climb stairs with one foot while laying down, and he eventually became a published author and painter. Recent Posts See All. Abstract has the distinction of filming the creative process as closely as possible, letting the words of these everyday hubcaps shine.

No matter the abject conditions faced by the Canadian folk artist – juvenile arthritis, poverty, the loss of her child to adoption – she finds solace in painting. We see her birds, flowers and landscapes in bright, unmixed colours and painted from memory fan out over every surface of the tiny Nova Scotian house that she shared with her fish-peddler husband until her death in

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Other moving explorations of independent female creatives include the French-Belgian film Séraphine (), about French self-taught artist Séraphine Louis.

Working as a housekeeper in the early 20th century, Louis achieved public recognition for her detailed, religious paintings of nature, but suffered from psychosis and died alone in an asylum.

Dir.

by Sara Driver, available to rent on BFI Player
“The most vivid representation of an era”: this quotation, by a friend of Basquiat’s describing his art, could easily refer to Sara Driver’s documentary about the artist, Boom for Real.

Ghostly footage of a teenage Jean-Michel (he was only 15 when he began to mingle with New York's artistic underground) blends with shots of the Lower East Side in the s, complete with abandoned apartment blocks, nightclubs and makeshift exhibition spaces.

Through interviews with his friends and collaborators, such as Al Diaz, the other half of graffiti duo “SAMO©”, Basquiat emerges as both a discerning young artist and an ambitious networker.

The documentary shows that his compulsion to create broached many art forms: poetry, music, design, as well as painting or writing on every available surface. His fame seems almost inevitable.

Dir.

by Kevin Macdonald, available on Netflix
Cai Guo-qiang’s towering Sky Ladder was twenty years in the making, and this documentary directed by Kevin Macdonald and produced by Wendi Murdoch is riveting.

Cai became an international star with his lavish pyrotechnic display for the Beijing Olympics opening ceremony, but he has a complex relationship with the Chinese state.

His father, a gifted painter and calligrapher, was oppressed during the Cultural Revolution, and Cai’s own career can be seen as driven by a need to re-establish family honour.

Dir.

by Hugh Welchman and Dorota Kobiela, available to rent on BFI Player and Prime Video
A painted figure stares uneasily into the middle distance, his head leaning on one hand. Energetic brushstrokes curl around the black outline of his body. Suddenly the figure moves and the image is just a single frame in a discussion between two men.

The Dutch artist Vincent van Gogh painted two versions of Portrait of Dr. Gachet, his doctor in Auvers-sur-oise. For this shot in Loving Vincent, the world's first oil-painted feature film, one of the project’s artists would have painted dozens. The result is mesmerising as each familiar painting is animated in the most literal sense: it is brought to life.

And if this depiction of Van Gogh’s last few days isn’t enough, then there’s a whole range of Van Gogh biopics, from Kirk Douglas’s portrayal Lust for Life, which is available to rent on Amazon Prime Video, to a version starring Willem Dafoe At Eternity’s Gate on Netflix.

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by Lisa Immordino Vreeland, available to watch on Apple TV
Peggy Guggenheim’s eventful life is a roll call of some of the most famous artists of the 20th century, reflecting her status as a patron of the arts extraordinaire.

Using audio interviews with the woman herself, as well interviews with art critics and historians, this documentary does justice to a colourful character who was not only ahead of her time but helped to define it.

While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.

Dir.

by Julie Taymor, available to rent on Prime Video
Frida Kahlo sits on a yellow chair wearing an oversized suit. She is staring at the viewer, surrounded by the thick black locks of her recently shorn hair. The Mexican artist painted Self-Portrait with Cropped Hair in , a month after her divorce from the famous mural-painter and communist Diego Rivera, closing a chapter in their tumultuous relationship, which is the focus of this biopic.

Kahlo’s hallucinatory paintings are the visual touchstone for the film as they end pivotal scenes and inspire its use of nightmarish Day of the Dead puppetry. Furthermore, Salma Hayek’s cheeky, provocative and highly believable portrayal of Kahlo is essential viewing.

Dir.

by Philip Thompson, free on BFI Player
A brass band provides the soundtrack for this short but compelling documentary about the artist L. S. Lowry RA: setting a slow and sombre tone for his Northern industrial landscapes, with a jauntier melody accompanying his groups of “matchstick” children and crowds on match days (the artist was a lifelong Manchester City fan).

Made only three years before his death, footage of Lowry in his studio painting and talking about his work reminds audiences that his “naive” style was solidly based on classical training.

The documentary is one of many free films available from the BFI archives. Other gems include interviews with Barbara Hepworth and a young Anish Kapoor RA, who explains his sculptures for an Arts Council film Just what is it? ().

Dir.

by John Maloof, available to rent on Prime Video
After buying a box of Vivian Maier’s negatives at a Chicago auction in , local historian John Maloof discovered further boxes and storage units containing over , negatives. He quickly became intent on finding out the story of their prolific author.

The resulting documentary follows Maloof as he attempts to solve the mystery, with a hotchpotch of material informing his investigation, including interviews with Maier’s many employers and charges from her career as a nanny.

Yet in spite of these various voices, her street photography, much of it taken in Chicago and New York in the s and ‘60s, speaks for itself. Part-journalism, part-portraiture, Maier’s work exhibits a humorous and respectful regard for humanity, as well as fame-worthy sensitivity towards light and composition.

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by Andrei Tarkovsky, available to rent on Prime Video
Repeatedly ranked as one of the greatest films of all time, this Soviet-era Tarkovsky biopic is based on the life of Andrei Rublev, a real 15th-century Russian icon painter. Over eight episodes, the film follows Rublev and his cohort as he moves around medieval Russia seeking work in cathedrals and monasteries.

The painter and the filmmaker’s worlds form a fascinating parallel as both highlight the challenges of creating art under a repressive regime (the film itself was not commercially released for years in the USSR).

At three hours long, this masterpiece of 20th-century cinema is best enjoyed with popcorn over a long afternoon indoors.