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Russian drama film The Return (Vozvrashcheniye), Andrey Zvyagintsev’s cinematic debut, tells a story of two young brothers who are abruptly confronted with their father’s return after twelve years of his absence. Following his return, the three embark on a road trip to a remote island that forces the brothers to push their emotional limits and usurp their adulthood in the face of their father’s threatening presence.

The film, after receiving a wealth of positive criticism, was nominated for Best Foreign Language Film at the 61st Golden Globes.[1][circular reference] and was ranked the 80th greatest film of the 21st century in a BBC critics poll[2][circular reference].

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  • Background

    Following the collapse of the Soviet era, the Russian film industry encountered significant difficulties as it became no longer funded or controlled by the state. As producers and directors struggled to find their own funding, the number of films produced dropped significantly. However, the early s were a time of domestic and international recovery for the industry, which is exemplified by the release of The Return.[3]

    The Return was filmed on and around Lake Ladoga in the Gulf of Finland.

    While the film’s exact budget remains undisclosed by the director and producers, interviews with them hint that the budget was well under $,[4].

    Following the end of filming and two months before the film’s debut, actor Vladimir Garin tragically drowned at 16 years old in the same lake where many of the scenes were filmed.

    Director Andrey Zvygintsev paid tribute to Garin in an emotional acceptance speech after receiving the Golden Lion for best picture at the Venice Film Festival.

    Cast

    Plot

    The Return, set in contemporary Russia, features brothers Ivan, aka Vanya, (Ivan Dobronravov) and Andrei (Vladimir Garin), who have grown deeply attached to each other as a result of living a fatherless childhood.

    The film opens on a note of tension as young Vanya is peer pressured into jumping from a high ladder into the ocean, but is too afraid to do so and is subsequently taunted by his friends, resulting in a fight with his brother.

    See full list on en.everybodywiki.com Vladimir Moiseenko , Alexandre Novototsky. He simply takes his authoritative place. When pressed as to the film's meaning, director Zvyagintsev replied 'I would say that it's about the metaphysical incarnation of the soul's movement from the Mother to the Father. In contemporary Russia, Ivan and his older brother Andrei have grown a deep attachment to each other to make up for their fatherless childhood.

    This scene, which foreshadows the emotional struggle Vanya faces throughout the film as he attempts to cultivate resilience and establish his manhood, leads directly into the film’s defining chain of events. The plot gains momentum as brothers Andrey and Vanya return home and are faced by their father’s sudden, unexplained return after twelve years of his absence.

    The boys’ father (Konstantin Lavronenko), a man characterized by a mysterious aura and a stoic demeanor, gives no explanation for his absence. Rather, he immediately proposes a weekend-long fishing trip. While Andrei is initially enthusiastic about his father’s return and the trip, Vanya is reluctant to welcome his father and feels resentment toward this man he views as a stranger.

    As the three embark on the road trip, the time they spend alone quickly shines light on the father’s ambiguous persona. While his sudden willingness to return into his sons’ lives implies that he is remorseful for his absence and wants to fulfill his fatherly obligations, he treats the boys harshly and remains apathetic as he attempts to discipline and subdue them.

    The brothers are torn between accepting and resisting their father’s authority, as they are aware he is their biological father yet regard him as a stranger after growing up in the wake of his absence.

    The father’s motives become more ambiguous as he inexplicably pushes the boys’ limits beyond what is expected from a normal fishing trip, tasking them to push their car in the pouring rain and row a boat to an island in the middle of a storm.

    Over the course of the weekend, the three camp on the island, a remote location where the beach meets the meadow and an ominous observatory tower stands before them. The boys, curious about the father’s intentions, follow him to an isolated shack in the meadow where he retrieves a small, buried trunk. This adds to the boys’ mistrust of the father and furthers the ambiguity of his motives.

    Later, Vanya’s move of ultimate revolt-- stealing his father’s knife-- leads to a conflict between the boys and father in which the father strikes Andrei.

    The return film andrey zvyagintsev Register so you can check out ratings by your friends, family members, and like-minded members of the FA community. There is a violent undercurrent in the man that shocks the viewer in its suddenness, such as when he strikes Andrey for some minor infraction. Ren TV. He digs up a trunk, extracts a box, and secretes the box in the boat, all unobserved by his sons, who have moved out to find worms for their fishing rods.

    Vanya angrily stands up to his father, then runs into the forest and to the top of the observatory tower in a scene that alludes to the film’s opening in which Vanya fearfully stands on top of a high tower. In this final climb up the tower, Vanya symbolically establishes his adulthood and courage in the face of his father’s wrath.

    The father, in a threatening state of near-mania, follows Vanya to the top of the tower and tries to reason with him. Vanya, becoming more stressed by the father’s presence, threatens to jump.

    See full list on en.everybodywiki.com: Did this director experience the treatment by parents so eloquently portrayed? Dad doesn't participate, saying he doesn't eat fish, having had too much once a shaded reference to the women in his life perhaps? When pressed as to the film's meaning, director Zvyagintsev replied 'I would say that it's about the metaphysical incarnation of the soul's movement from the Mother to the Father. User history.

    As the father tries to reach out to him, he falls off the tower to his death.

    The boys, immensely distressed at their father’s sudden death, take his body to the shore, load him into a boat, and sail away from the island. Before they can reach the shore, the boat sinks with their father’s body and the mysterious box inside. The boys drive away in their father’s car, leaving the father behind.

    See full list on en.everybodywiki.com Zvyagintsev achieves the perfect balance of performing styles from his trio to serve this coming of age story. Nika Award. Andrey Zvyagintsev. Both their mother and grandmother live with them.

    Director Andrey Zvyagintsev

    After working as a struggling actor in Moscow from to , Zvyagintsev did not begin his directing career until a friend of his gave him a job as a director for a Russian TV series. The series was on REN TV, famous for dramas and crime shows. Catching the eye of the producers at REN TV, Zvyagintsev was offered the position of directing The Return ().

    The film initially had a very low budget and not much promise to some, but with Zvyagintsev’s artistic eye, natural ability, and the remarkable talent of cinematographer Mikhail Krichman, the film became an international sensation.

  • See full list on en.everybodywiki.com
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  • THE RETURN
  • The film was widely renowned around the world, receiving the Golden Lion at the Venice Film Festival, Golden Eagle at Cannes, as well as other wins and nominations. Zvyagintsev gained significant notoriety after his debut film, especially since his film was the first Russian film to win the Golden Lion since Close to Eden ().

    He went on to direct just three other films; The Banishment (), Elena (), and Leviathan (). These films all received awards, nominations, and critical acclaim. His impressive work has made Zvyagintsev well-recognized in the film industry.

    Reception

    The Return received a generally positive critical response, both nationally and internationally.

    The film garnered a number of positive reviews from film critics and journalists, and was regarded as “renew[ing] the grand tradition of Russian cinematic mysticism epitomized by Andrei Tarkovsky" by Dave Kehr, critic for The New York Times[5].

    See full list on en.everybodywiki.com Ivan has an outburst of anger after witnessing his father strike Andrei. When the boys return home one day, they are shocked to find a man in the house. Awards for The Return. Only the children reveal their emotions in smiles, scowls, grimaces, tears.

    It was also ranked the 80th-greatest film of the 21st century in a BBC critics' poll.[6]. As of May 09, , the film has a rating of 96% on review website Rotten Tomatoes[7]and is labelled as a “suspenseful but perplexing thriller” according to the critics’ consensus. The film also has an average rating of 8/10 on IMDb and a universal acclaim score of 82 out of on Metacritic[8]

    Accolades

    The Return has won the following national and international awards:

    References

    1. "61st Golden Globe Awards.

      Wikipedia. Retrieved May 10, ".

    2. "BBC's Greatest Films of the 21st Century. Wikipedia. Retrieved May 10, ".
    3. "McSweeney, T. () The end of Ivan's childhood in Andrei Zvyagintsev's The Return (). International Journal of Russian Studies, 2. Retrieved May 10, ".
    4. "Abeel, E.

      () Return of the Prodigal Father; Andrey Zvyagintsev Talks About "The Return". Indiewire. Retrieved May 10, ".

    5. "Kehr, D. (). FILM REVIEW; A Frayed Family, an Ominous Fishing Trip. The New York Times. Retrieved 10 May, ".
    6. "The 21st Century's greatest films". BBC. August 23, Retrieved September 8,
    7. "The Return () - Rotten Tomatoes".
    8. "The Return () Reviews - Metacritic".


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